Congenital cerebral anomalies, Isabel Peretz believes,
lie behind the phenomenon of amusia - the inability of some
persons to recognize or produce musical sounds. The Université
de Montréal neuropsychologist has just published
her findings in two articles appearing in the January 2002
editions of two major journals, Neuron and Brain.
The first article presents the case of Monica, a woman in
her forties, for whom music is nothing but "stressful
noise." The second article details the results of a
study of 11 subjects who share this total absence of
musical sense.
According to Ms. Peretz's research, amusia is not the result
of poor education or environment but from a malformation
that's already present at birth. "Music comes naturally
to most human beings," she explains. "But for
certain individuals, rhythms, melodies and chords make no
sense whatsoever. What's fascinating about the people we
encountered is that language is not affected. This means
there's a region in the brain that's dedicated to musical
perception." People who suffer from amusia can actually
lead perfectly normal lives. Monica, for instance, has a
master's degree. Her IQ is 111 and she has an excellent
memory. Her amusia is not due to hearing loss, lack of exposure
to music or cognitive deficits. Yet to her, Beethoven's
Ode to Joy, the opening notes of La Marseillaise
or the refrain of Frère Jacques all sound
the same. On the other hand, she is perfectly able to recognize
the human voice, and has no trouble telling a car horn from
the sound of a barking dog.
Monica's anomaly, which thousands of other people also share,
is probably located in the auditory cortex of the brain.
But Ms. Peretz's research doesn't stop there. She has effectively
laid to rest the mystery of amusia's origins. Its first
description as a pathology dates back to an 1878 account
of a 30-year-old man who was described as being totally
incompetent in music, despite being fluent in three languages
as well as his mother tongue. Despite the existence of such
cases, it was widely thought that the causes of amusia were
non-biological. Monica proved to be the most spectacular
of a group of 11 people suffering from amusia that the research
team recruited using small ads in different media. Ms. Peretz
and doctoral students Julia Ayotte and Krista Hyde, her
co-researchers, examined some 50 people in all. Of
these, fewer than a dozen were retained for testing. The
article published in the January 31 edition of Brain
reports that systematic evaluation of the amusia sufferers,
who considered themselves severely handicapped in the area
of music, despite their efforts to learn music, "confirms
the presence of a deficient system in the comprehension
of music." Musical incompetence appears as an accidental
disturbance in their nervous system which, whatever else,
presents no significant cognitive or affective dysfunction.
Where the discovery may prove most remarkable is in genetics.
"If we can isolate the gene that characterizes persons
who suffer from amusia, we'll be able to more or less recognize
the gene for music," says Isabel Peretz. "It may
not happen in my lifetime, but I think we're heading in
that direction."
Researcher: Isabelle
Peretz
Phone: (514) 343-5840
Funding: Canadian Institutes of Health Research (CIHR)